tel: 01600 891589
email: info@fortedistribution.co.uk
Forte Music Distribution

fmd

MASAYOSHI FUJITA

APOLOGUES

ERASED TAPES


Format: LP
Cata No: ERATP075LP
Barcode: 4050486110713
Format: CD
Cata No: ERATP075CD
Barcode: 4050486110706
Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

“My idea was to let those instruments express their own images or atmospheres that each instruments have by nature, or have been given in their history, and not treating them just as accompaniments of the vibraphone. Also, it was new for me to compose a song as a whole. As I wrote the vibraphone part first, I tried to hear other sounds in my head and tried to leave enough room for them and sometimes play only fundamental parts on the vibes.”

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

Inspired by “the silence and deepness of the fog, the mountains and the gravity within”, his music has a very unique atmosphere and often creates images in the listener. ‘Requiem’, which Masayoshi composed for French horn, to him evokes “images of mountains, fields and the far away”. The song ‘Tears of Unicorn’ was inspired by a painting which features in Hayao Miyazaki’s Studio Ghibli animation ‘Kiki's Delivery Service’, drawn by a woman that lives in the forest.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.”

'Listening to it feels like the endless days of summer’ – Indie Shuffle

'Silvery, shining, utterly ethereal and truly pretty’ – The 405

'Such a heavenly piece of music' – Mary Anne Hobbs, BBC 6 Music

Tracks:

01. Tears of Unicorn
02. Moonlight
03. Swallow Flies High in the May Sky
04. Beautiful Shimmer
05. Flag
06. Knight and Spirit of Lake
07. Puppet's Strange Dream Circus Band
08. Requiem

Press:

 

Audio & Video:


More releases from 'MASAYOSHI FUJITA '

N/A

This title was released on 11 Sep 2015, other titles listed below:


FRESH & ONLYS - EARLY YEARS ANTHLOGY FRESH & ONLYS
EARLY YEARS ANTHLOGY

CASTLE FACE


MASAYOSHI FUJITA  - APOLOGUES MASAYOSHI FUJITA
APOLOGUES

ERASED TAPES


MIDDAY VEIL - THIS WILDERNESS MIDDAY VEIL
THIS WILDERNESS

BEYOND BEYOND IS BEYOND


OSCILLATION, THE - BEYOND THE MIRROR (RARE & UNRELEASED TRACKS) OSCILLATION, THE
BEYOND THE MIRROR (RARE & UNRELEASED TRACKS)

ALL TIME LOW


SHANNON & THE CLAMS - GONE BY THE DAWN SHANNON & THE CLAMS
GONE BY THE DAWN

HARDLY ART